I started on a timeline with two tracks and a deadline. Since then I've made motion graphics, commercial films, corporate stories and social campaigns for brands that needed people to feel something in eight seconds or less.

Today my studio has a second brain: generative AI. I write, storyboard, animate and grade alongside tools that never sleep — which mostly means I get to spend my hours on the part that matters: the idea.

“Good motion isn't decoration. It's direction.”